Welcoming our 2022 Summer Fellows for Writing Downtown and First Silberstein Fellows

We’re thrilled to announce the next fellows for our Writer’s Residency in Downtown Las Vegas. We welcome our first two Silberstein Fellows, Lue Palmer and Manjula Menon. Our third fellow for the summer will be Jean Kyoung Frazier.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

Our apartment is in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

The Silberstein Fellowship was created to support emerging speculative fiction writers, sponsored by author Eric Silberstein. Eric is an engineer from Harvard turned fiction writer, and his exciting debut The Insecure Mind of Sergei Kraev, set in the not-too-distant future, imagines a harrowing technological future where neural implants have become widespread.

Special thanks again to Nevada Humanities, UNLV, Eric Silberstein, and private donors for helping bring these fellowships to life.

Lue Palmer - July 2022

Lue is a writer of literary fiction, non-fiction and poetry on Black relationships to nature, the fantastic in the everyday, and the retelling of history among other things. Lue Palmer is a child of the Jamaican diaspora stretching across Canada, the UK, US and the Caribbean. With a bush country heritage, Lue was fed on stories and raised by a river in the north. Published in North America and the Caribbean, Lue is a Bread Loaf Writing Conference alumni, and a Banff Centre Writers’ Studio Artist in Residence alumni.

About their project: Their first full-length work, The Hungry River, follows a woman who loses her child and climbs into the sky to slap God. Set on the backdrop of climate change, and the fight of a community against environmental racism—A Hungry River chronicles a love song between nature and Black communities over 250 years and into the future.

Manjula Menon - August

Manjula Menon is a writer of literary and speculative fiction. Her awards include a Yaddo Fellowship and a Breadloaf Writers Conference“waitership”. Her short stories have been published in Pleiades, Tampa Review and Southern Humanities Review, among others. Her most recent publication is a story/recipe in the forthcoming collection of fantastical mixology, Strange Libations: Dark Cocktails from the editors of ApexMagazine.

About her project: I will be working on revising and polishing my first novel.

Christopher “C-Bone Jones” - September

Christopher “C-Bone Jones” was born and raised in Los Angeles, California. At the age of 16, he experienced a life-threating car accident which propelled him head first through the windshield. After plastic surgery, he was ashamed of the numerous facial scars resulting from the car accident but understood he was blessed to still be alive. C-Bone became determined to share his story in the hopes of inspiring someone else to embrace life and all that comes along with its experiences. A natural performer, he believes it’s his life experiences and triumph which inspires him to share his story through film, poetry or spoken-word artistry. C-Bone became a student of his craft. After studying film, television production and mass communication at Tennessee State University, he returned to his native Los Angeles to start a full service production company. On a leap of faith, C-Bone invested his savings into his dream: Bread N Butter Productions.

C-Bone fell in love with the art of spoken word the very first time he stepped on stage. He was happy to have found a creative platform to display his skills. The feeling was euphoric. Amazed at how his natural talent of word play could captivate an audience, he became inspired to continue writing. His first performance would go on to be one of many to come.

A lyrical wordsmith, C-Bone Jones is a twenty year veteran of the spoken-word industry. Best known for his closing moniker, “Ya’ll, like that?” His iconic phrase has become synonymous with the closing of a poet’s performance throughout the United States. A seasoned industry veteran, he has been lauded as the official Poet for Tupac’s Legendary Outlawz. In addition, he has had the opportunity to share the stage with such legendary greats such as: Malcolm Jamal Warner, Kim Fields, Teena Marie, Jessica Care Moore, Dead Prez, Georgia Me, Saul Williams and Mack 10, Jurassic 5, and Jon., B. C-Bone has appeared as a weekly feature on LA’s KJLH 102.3 FM, his work has been captured on BET’s Life Tracks and Russell Simmons’s HBO Def Poetry Jam. He has recorded numerous Spoken Word c.d.s and has directed several Spoken Word themed narrative short films. A 2010 Film School graduate, C-Bone remains focused on the development of new ideation and the production of full length feature films as well as cornering the market on Spoken Word themed narrative shorts. C-Bone is passionate about new projects such as his first digital CD entitled Mont Blanc Music as well his #SpitAVerseChangeALife clothing line and the continued movement towards the development of sound spoken word projects that evoke thought and change lives.

About his project: Writers Block Sin City is a docu-film which takes a detailed look into the spoken word poetry scene in Las Vegas. We discuss the many obstacles poets have to overcome to be a successful poet for example, Venue Etiquette, Poets going Mainstream and the Poet vs the Promoter.  

helen shewolfe tseng - September

Helen Shewolfe Tseng is an interdisciplinary artist, designer, writer, and witch born to Taiwanese immigrants in the Deep South and currently based in San Francisco. Their work is influenced by ancestral and diasporic relationships to place, folk spiritual practices, interspecies collaborations, trickster archetypes, and neurodivergence, and has taken the forms of drawings, paintings, books and zines, writing, rituals, talismans, talks, workshops, installations, participatory works, computational works, and combinations of the above. Previously, Helen was a 2022 Artist in Residence at Montalvo Arts Center, a 2018-2019 Fellow at Yerba Buena Center for the Arts, the 2019 Designer in Residence at Headlands Center for the Arts, and the illustrator and co-author of The Astrological Grimoire (Chronicle Books). For more signs of life, see shewolfe.co and instagram.com/wolfchirp.



Welcoming our 2022 Spring Fellows for Writing Downtown Residency in Las Vegas

We’re thrilled to announce the next fellows for our Writer’s Residency in Downtown Las Vegas: Emperatriz Ung and Mahogany L. Browne. We also welcome guests Jhon Valdes and Christine Utz.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

Our apartment is in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

Special thanks again to Nevada Humanities, UNLV, and private donors for helping bring these fellowships to life.

Emperatriz UnG - April 2022

Emperatriz Ung (she/they) is a Chinese-Colombian game designer, writer, & educator from the American Southwest. Emperatriz has been awarded fellowships, scholarships, and residences from the Asian American Writers' Workshop, Millay Arts, the Academy of Interactive Arts & Sciences Foundation, Kundiman, and the Bureau of Educational and Cultural Affairs. When she's not making games, she's at work on her memoir. Find her on Twitter at @mprtrzng.

About her project: Emperatriz will be restructuring, remixing, and revising her book-length creative nonfiction project. With prose, images, and poetry, the book chronicles a survivor’s efforts to attain stability in the aftermath of childhood abuse. This memoir-in-progress scrutinizes the precarious role of victims as witnesses required to testify in criminal trials, and considers alternative methods of trauma recovery outside of inpatient hospitalization and the standardized practices of psychiatric care.

Mahogany L. Browne - May 2022

Mahogany L. Browne is the Executive Director of JustMedia, a media literacy initiative designed to support the groundwork of criminal justice leaders and community members. This position is informed by her career as a writer, organizer, & educator. Browne has received fellowships from Agnes Gund, Air Serenbe, Cave Canem, Poets House, Mellon Research & Rauschenberg. She is the author of recent works: Chlorine Sky, Woke: A Young Poets Call to Justice, Woke Baby, & Black Girl Magic. Browne is the founder of the diverse lit initiative, Woke Baby Book Fair; and is excited about her latest poetry collection. I Remember Death By Its Proximity to What I Love is a book-length poem responding to the impact of mass incarceration on women and children). She is based in Brooklyn and is the first-ever Poet-in-Residence at the Lincoln Center.​

About her project: Complete my third YA novel & editing my latest adult poetry collection.

JhOn Valdes (Guest) - June 2022

Jhon Valdes Klinger is an Afro-Latinx, New York City raised, Colombian writer, filmmaker, and educator. He received an MFA from The New School's Creative Writing Program. He worked as a teaching artist at UrbanWordNYC. Jhon's writing can be found in Acentos Review, Vagabond City Literary Journal, 12th Street Journal, and Monsters of the Bronx. He recently relocated to Oakland, California, where he teaches middle school English. He is working on a magical realism/horror novel.

About his project: During the residency, I will be finalizing my first novel. My manuscript is a coming-of-age story that explores African diaspora trauma in Latin America, immigration reform, and the effect of PTSD on a queer young man, through a magical realism/horror lens.

Christine Utz (Guest) - June 2022

Christine Utz is a graduate of the Iowa Writers’ Workshop. Originally from Florida, she has spent time teaching, writing, and editing in New York City, Iowa City, and most recently Minneapolis, MN. In 2016 she was awarded a fellowship to teach in New Zealand at Victoria University of Wellington’s International Institute of Modern Letters. Her fiction has appeared in Saw Palm, Turbine | Kapohau, MARY, Joyland, BorderSenses, and Flock. She's also a contributing author to Occupying Wall Street: The Inside Story of an Action that Changed America. She lives in Minneapolis with her husband, two cats, and six chickens on an urban permaculture experiment.

About her project: I'll be wrapping up edits on SHADY GROVE, a speculative cli-fi novel about finding connection and meaning in a changing world.

Welcoming our 2022 Winter Fellows for Writing Downtown Residency in Las Vegas

We’re thrilled to announce the next fellows for our Writer’s Residency in Downtown Las Vegas: Demian DinéYazhi ́, Zin E. Rocklyn, and Lindsey Toya-Tosa.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

Our apartment is in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

Special thanks again to Nevada Humanities, UNLV, and private donors for helping bring these fellowships to life.

Demian DineYazhi - January 2022

Demian DinéYazhi ́ (born 1983) is a Portland-based Diné transdisciplinary artist, poet, and curator born to the clans Naasht’ézhí Tábaahá (Zuni Clan Water’s Edge) and Tódích’íí’nii (Bitter Water). Their practice is a regurgitation of purported Decolonial praxis informed by the overaccumulative and exploitative nature of hetero cis gender supremacist normativity. They are a survivor of attempted european genocide, forced assimilation, colonial manipulation, sexual & gender violence, capitalist sabotage, and hypermarginalization in a colonized country that refuses to center its politics and philosophies around the Indigenous Peoples whose Land it wrongfully occupies and refuses to give back. They live and work in a post-post-apocalyptic world unafraid to fail. @heterogeneoushomosexual

About their project: I will be working on developing new writing for my next book project, as well as working and presenting work in support of my latest publication, WE LEFT THEM NOTHING. I will be utilizing video to create work as an extension of WE LEFT THEM NOTHING, and read from the book as well.

I'm currently beginning to think about content and themes for my next book, so utilizing the space will allow me the space to think through and begin dreaming of what this new work will look like.

Zin E. Rocklyn - February 2022

Zin E. Rocklyn is a contributor to Bram Stoker-nominated and This is Horror Award-winning Nox Pareidolia, Kaiju Rising II: Reign of Monsters, Brigands: A Blackguards Anthology, and Forever Vacancy anthologies and Weird Luck Tales No. 7 zine. Their story "Summer Skin" in the Bram Stoker-nominated anthology Sycorax's Daughters received an honorable mention for Ellen Datlow's Best Horror of the Year, Volume Ten. Zin contributed the nonfiction essay “My Genre Makes a Monster of Me” to Uncanny Magazine’s Hugo Award-winning Disabled People Destroy Science Fiction. Their short story "Night Sun" and flash fiction "teatime" was published on Tor.com. Zin is a 2017 VONA and 2018 Viable Paradise graduate. You can find them on Twitter @intelligentwat.

About their project: I will be working on my Dark Fantasy novel which is a riff on Cinderella if she were a Black Queer mercenary who was betrayed by her father.

Lindsey Toya-tosa - March 2022

I'm Lindsey Toya-Tosa from the Pueblo of Jemez. I graduated from the Institute of American Indian Arts with my bachelor of arts degree in creative writing in 2019. Currently I am an MFA student at IAIA where I'm working on my thesis. I also like to write fiction and poetry. When I'm not writing I love spending time with my family as well as gardening, sewing, and helping my mom with her small business.

About her project: I am in the last year of receiving my MFA in creative writing with an emphasis on creative nonfiction so I will be working on my thesis. Which is a requirement for graduation but it will also be a completed manuscript that I can publish if I choose to do so. I'll be working on a series of essays for my thesis.

Plympton with Amazon Original Stories Announce Black Stars: A Galaxy of New Worlds, a collection of Afro-centric stories

Written by Saschael Carter, Writing Atlas Fellow

Black Stars spotted in Times Square.

Black Stars spotted in Times Square.

Science fiction helps us examine familiar situations outside of a familiar world. It challenges us to consider what futures may be possible if things were to change. 

These stories featuring Black characters use futuristic and fantastical elements that help liberate the racial imagination. Together with Amazon Original Stories, Plympton sought to bring forth stories by Black authors that place Black characters in various unusual universes and environments. These stories help us gain an understanding of the questions: How does history follow us, and dictate our reality? What role does race have in futuristic settings? In what ways do Black people’s understanding of their function in society change in fantasy settings?

We asked six award-winning Black authors to forge their own Afro-centric realities. Black Stars is a collection of six exciting, mind-bending, and thought-provoking stories that examine how Black existence changes depending on surrounding circumstances.

2043, A Merman I Should Turn To Be” by World Fantasy Award-winning author Nisi Shawl is a short story about a man and a woman traveling to their new underwater home. In this future, Black and other people of color are given the option to buy body modification upgrades in order to transform into merpeople. As merpeople, they receive 40 acres of underwater land meant to function as reparations.

Science fiction and fantasy writer Nnedi Okorafor in “The Black Pages” tells the story of a man visiting his home city of Timbuktu during an Al-Qaeda attack. His entire town is taken under Al-Qaeda's control in a matter of a few months. Libraries and books are burning, the city’s wifi and internet are no longer available. The population believes they are helpless. Only a powerful supernatural being can rescue their home. 

The Visit” by Americanah author Chimamanda Adichie takes place in a world where gender role expectations are reversed; women are the breadwinners while their husbands stay home to take care of the children. Two male childhood best friends who once shared similar aspirations for their lives reunite after ten years apart. They reflect on their disparate experiences of living under a powerful matriarchal society. 

In “These Alien Skies,” author of Scarlet Odyssey and Requiem Moon C.T. Rwizi details the story of two pilots who crash land on Malcolm X-b, a new planet where they are to collect data on the planet’s ability to support life. Soon after their landing, the pilots are greeted by the planet’s inhabitants, who must decide if they want to kill the foreigners or spare their lives.

Clap Back” by six-time novelist Nalo Hopkinson is centered around two women within the same family, generations apart. Both women have the magical ability to perform hoodoo. They use their powers to call attention to the injustices Black people have faced in the past and continue to face in their present societies.

Victor LaValle is the creator and writer of the comic book Destroyer. In “We Travel The Spaceways,” he tells the tale of a man walking through life alone, who is on a mission to free Black Americans from emotional slavery. He is treated terribly by every person he encounters — until he meets a transgender runaway who joins him on his quest. They form an unbreakable bond, and she helps him transcend his current reality.

Each story in Black Stars is available for purchase in eBook and audiobook format and free to download for all Amazon Prime members. It is the latest collection of stories Plympton has contributed to in collaboration with Amazon Original Stories. Previous collections include Currency, a collection about wealth, class, competition and collapse; Faraway, a collection of fairy tales for the here and now; Hush, a collection about the end of truth; and Warmer, a collection of climate fiction. 

Welcoming our 2021 Fall Fellows for Writing Downtown Residency in Las Vegas

We’re thrilled to announce the next fellows for our Writer’s Residency in Downtown Las Vegas: Mylan Gray, Sarah Thankam Mathews, Adrian De Leon, and Sasha Issenberg.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

Our apartment is in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

Special thanks again to the Amazon Literary Partnership, the New York Public Library, and private donors for helping bring these fellowships to life.

Mylan gray - August 2021

Mylan Gray is a recent graduate of Stanford University where he studied Playwriting and Black Studies. There, he received the Kennel Jackson Jr. Departmental Award for his Honors thesis play, Buried in Blood: an afro-surrealist conjuring, healing ancestral wounds. He is also a new member of the Tank Theatre’s LIT Council, a playwriting group for Men of Color. In addition to being a playwright he is a screenwriter and short film director.

With a deep reverence for Brazil, and a penchant for spiritual journeying, he draws on the fantastical, magical, and divine to speak healing words of love for 21st century woes. When he is not writing, reading, or watching films, he is in the woods soaking up the songs of birds and listening to the worlds oldest keeper of stories: the trees.

About his project: SPLIX is a dystopian, animated series where a group of POC street teens band together in the outskirts of a private city to defeat corrupt tech magnates waging war on the street organizations in order to sell surveillance equipment and increase militarized policing.

HERITAGE is a short story where a promising young cadet, disenfranchised with her colonial spaceship's journey to conquer the solar system, rebels after her best friend is imprisoned for making musical instruments on a ship where creation is forbidden.

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Sarah thankam Mathews - October 2021

Sarah Thankam Mathews grew up between Oman and India, immigrating to the United States at seventeen. She has been awarded scholarships from the Iowa Writers Workshop, the Asian American Writers Workshop, the Millay Colony, and the Napa Valley Writers Workshop. Her writing has been published in AGNI, the Kenyon Review, and Best American Short Stories 2020. Her novel ALL THIS COULD BE DIFFERENT is forthcoming from Viking in August 2022.

About her project: Sarah will be working on a project set mostly in Oman, about migration and global capitalism, girlhood and becoming.

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Adrian de leon - november 2021

Adrian De Leon is a historian, poet, and multimedia educator from Manila by way of Scarborough, Ontario. He is an Assistant Professor of American Studies and Ethnicity at the University of Southern California, where he teaches Asian American Studies. Adrian is the co-editor of FEEL WAYS: A Scarborough Anthology (March 2021), and the author of two poetry collections: Rouge (2018) and barangay: an offshore poem (October 2021). His writing can be found in Catapult, Joyland, The Puritan, and The Margins (Asian American Writers' Workshop). Adrian is the co-host and co-writer of the PBS miniseries, A People's History of Asian America (2021).

About his project: I will be working on my first creative nonfiction book, RADIANT: Love Letters from a City on the Brink. This is a collection of epistolary essays written from the diverse and tumultuous town of Scarborough, Ontario (Canada), within the blast radius of the Pickering Nuclear Power Plant, and built atop radiation hazards such as a major power line throughway and nuclear waste dumps. RADIANT imagines what it means to love intimately and lead full lives while writing from a place of ruins and premature death.

Sasha issenberg - December 2021

Sasha Issenberg is the author of four books, most recently The Engagement: America's Quarter-Century Struggle Over Same-Sex Marriage, which The New York Times designated an Editors' Choice selection and O: The Oprah Magazine called ""part Grisham-esque legal thriller, part Sorkin-esque political drama, and part Maddow-esque historical yarn."" His earlier books cover topics from the global sushi business to medical tourism and the science of political campaigns. He is the Washington correspondent for Monocle and teaches in the political science department at UCLA.

About his project: narrative history of the largest election-crime dragnet in American history, which took place in Terre Haute, Indiana, just over a century ago.

Hogarth Editorial Director Alexis Washam on Standing Out in the Publishing World

Written by Sarika Karra, Writing Atlas Fellow

Plympton Writing Atlas Fellows recently had the opportunity to speak with Hogarth Editorial Director Alexis Washam. Alexis spoke about the roles and responsibilities of individuals in corporate publishing, what editors typically look for in book manuscripts, and breaking into the publishing industry. Heidi Pitlor, the Editorial Director of Plympton, conducted the Q&A and shared her insight on careers in publishing. With their immense experience and expertise, Heidi and Alexis encouraged Plympton Fellows to think about the ways they can stand out and carve out their own paths.

Alexis began at Viking Penguin as an administrative assistant and later became a founding editor of Hogarth, an imprint at Penguin Random House which emphasizes new literary voices and a global perspective. She has edited books by several notable authors with Hogarth, some of whom have gone on to win or be nominated for honors like the National Book Award, the Arthur C. Clarke Award, and the Women's Prize for Fiction. The process of acquiring books and getting them successfully to publication is an arduous one that requires tenacity, Alexis noted. 

When Alexis reads manuscripts, she typically looks for pieces with strong voices and writing that feels like it could only have been done by one person. With some pieces, Alexis said, it can seem like the author lacked an original idea and tried to mimic other successful authors’ style of writing. She warned that it can be difficult to maintain an individual voice in a large crowd often driven by trends in reading and literature.  

She also tends to stay away from pieces that have very showy, lyrical writing, and prefers unadorned, straightforward prose. Manuscripts also have to feel complete; in this day and age, it can be difficult to convince a publisher to take on a manuscript that isn't already highly anticipated and in very good shape, especially at a large publishing house.

When Alexis started as an assistant, she realized that many international writers were overlooked by other editors. By combing through catalogues of international publishers who were selling rights to their books, she made a case for books that were highly acclaimed or had sold many copies in their home countries. Alexis started off with an Australian title, The Slap by Christos Tsiolkas, and published it for US audiences with Penguin. She received more international submissions from then on. This method gave Alexis a bit of an edge as she developed her own niche in publishing and went after interesting titles that weren’t huge hits overseas. She learned that some novels translated into English can be successful, even if they hadn’t received much attention in their home countries due to the content of the stories or themes of the book. 

The results of Alexis’ efforts have been rewarding; recently, two of the books she brought forth — short story collections by Mariana Enriquez, an Argentinian literary horror writer and the author of The Dangers of Smoking in Bed —  received enough attention to garner a review by Francine Prose in The New York Review of Books.

One big challenge of being in the industry, Alexis said, is the sheer number of books that don't end up working out. It's hard enough to push a book through the acquisition process; it’s even harder to edit a book, support the author for over a year, and then watch it not get the reviews it deserves. An editor simply has to keep moving forward in the hopes that something will work in the market. Absorbing that amount of failure requires persistence and grit.

For those who are interested in a publishing career, Alexis’ best advice is to be tenacious in the job search, go for any and all opportunities, and keep a sharp list of contacts. Social media can be a very useful tool in keeping up with the contemporary conversation around books, and has opened up many opportunities to forge authentic connections. Individuals should be able to hold meaningful discussions about books and share insightful opinions that demonstrate how they can bring a unique perspective to the publishing industry. 

Introducing our 2021 Summer Fellows for Writing Downtown Residency

We’re thrilled to announce the next three fellows for our Writer’s Residency in Downtown Las Vegas: Sterling HolyWhiteMountain, Selena Anderson and Juliana Brown Eyes.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

This year’s apartment will be in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

Special thanks again to the Amazon Literary Partnership, the New York Public Library, and private donors for helping bring these fellowships to life.

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Sterling HolyWhiteMountain - June 2021

Sterling HolyWhiteMountain grew up on the Blackfeet Reservation. He holds a BA in English creative writing from the University of Montana and an MFA in fiction from the University of Iowa. He was also a James C. McCreight Fiction Fellow at the University of Wisconsin and more recently a Stegner fellow at Stanford University. His work has appeared in volumes 1 and 2 of Off the Path: An Anthology of 21st Century American Indian and Indigenous Writers, Montana Quarterly, ESPN.com., The Yellow Medicine Review, and The Atlantic. He's currently at work on a novel. He is an unrecognized citizen of the Blackfeet Nation.

About his project: A novel about blood quantum laws and the way they play out on the ground in Indian Country, between people from the same community.

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Selena Anderson - July 2021

Selena Anderson’s work has appeared or is forthcoming in American Short Fiction, Conjunctions, Oxford American, The Baffler, Bomb, Georgia Review, and Fence. She has received fellowships from the Kimbilio Center, the MacDowell Colony, and the Bread Loaf Writers’ Conference and is a recipient of the Rona Jaffe Foundation Writers’ Award. Anderson is an assistant professor at San José State University, where she also directs a reading series. She is working on a novel.

About her project: I'll be spending my time in residence to revise a few chapters of a novel and write a new story. The novel Quinella is the tale of a newlywed who as a means of self-preservation, makes a life-sized doll of herself, complete with all her hopes and obsessions. But then she loses the doll. Various people in the town find the doll and reclaim her in ways by inventing new stories to temper the feelings of doom and uncertainty they begin to notice when she’s around. The story is about a slave who casts a spell on her master which day by day slowly turns him to sugar.

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Juliana Brown Eyes - August 2021

Juliana Brown Eyes is an Indigenous/Polynesian writer, director, and artist from the Pine Ridge Indian Reservation in South Dakota. She is an enrolled member of the federally recognized Oglala Sioux Tribe, the only tribe to never surrender to the US government.

Juliana has been featured in many publications including the UK’s Marie Claire: Native American Women Fighting to Preserve Their Culture, Huffington Post, BBC, Radio New Zealand and Glamour Magazine for her contributions through film and music in social justice movements like the Standing Rock movement.

For the past few years she’s worked on a variety of film and directing projects. Most recently living in Brazil, writing and directing alongside Katia Lund, Oscar-winning co-director of City of God. Together they created a 6 part docu-series (currently in post-production) on the oil industry and the Trump administration’s extraction of natural resources from Indigenous lands that are supposed to be protected by tribal treaties with the US government.

Capturing ancestral knowledge through an Indigenous lens, Juliana strives to put Indigenous stories at the forefront of pop culture and box office cinemas. Utilizing her innate disposition for community activism and cultural revitalization, Juliana has captured stories from Indigenous cultures around the world traveling the Amazon, Australia, New Zealand, and Latin America.

About her project: I will be working on a 6 part episodic series about an Indigenous female vigilante confronting the issues of sex-trafficking and Missing and Murdered Indigenous Women (MMIW) tracking.

Demystifying the Publishing Industry with Helen Thomaides

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Written by Morgan Canaan, Writing Atlas Fellow

In early February, Plympton Story Atlas Fellows met with Helen Thomaides, Assistant Editor at W.W. Norton and former Plympton Fellow, to learn how aspiring editors and writers might breach the publishing industry’s gate-kept exterior. She detailed her career path and average day at work before graciously answering questions from Fellows.

Helen, who graduated from Stanford in 2017 with a BA in English Literature and Italian Studies, has interned at Folio Literary and New Leaf Literary. For her, it’s a thrill to be able to “read for a living,” but she advised eager Fellows to assess whether they’d be willing to read for work instead of pleasure. While reading for work, editors must gauge a book’s commercial viability alongside personal enjoyment. The market is always in mind.

A book’s value is far less romanticized once it enters the publishing marketplace; a book is worth the money it might make. When asked how to assess a manuscript’s monetary value, Helen pointed to the importance of being well-read. Editors must know the market performance of “comp titles,” contemporary books comparative in style or theme to a new manuscript, which aid in estimating the manuscript’s potential worth.

Once ready to make a bid, Helen explained how a manuscript might be acquired: if the project goes to auction, the setup might be a “best-bids” auction, in which publishing houses are blind to competing houses, or an auction in rounds, in which their competition is visible. Manuscripts which are “polished” and “current to the moment” often receive higher bids, though a lot depends on genre.

When asked if she’d ever advocate for a manuscript she didn’t enjoy but believed could be commercially successful, Helen explained that both personal investment in a story and belief in its marketability must be present. Editors typically spend too much time with a book to dislike it, but more importantly, Helen added, “You have to be enthusiastic about a title or nobody else will be.”

 Helen explained that the main driving force behind the publishing industry is enthusiastic persuasion. After a writer convinces an agent of their work’s merit, the agent must convince the publishing company, the publishing company must convince the booksellers, and the booksellers must convince you, the reader.

But this advocacy often relies on shared taste, which has historically put writers of marginalized backgrounds at a disadvantage. The reality is that most of today’s published books are by white authors. Though recently there has been an increase in literary prizes awarded to writers of color, Helen pointed out that this trend may contribute to the illusion that diversity in authorship is increasing more rapidly than it is, referencing the New York Times article "Just How White Is the Book Industry?

Beyond the question of how to enter the publishing industry practically— given the limited, underpaid, yet ever-essential internships available only to a privileged few— lies the question of how to enter the publishing industry ethically, given its failures.

But working to repair the publishing industry’s failings requires an understanding of its mechanics. With her vast publishing knowledge, Helen empowered Plympton Fellows to approach the industry with a deeper awareness of its demands and downfalls. As a former Plympton Fellow herself, she encouraged Fellows that the skills they’re honing with Plympton, specifically being able to “distill a book into a few sentences to capture its essence,” are “crucial” for editorial positions. With Helen’s insight alongside inspiration from Plympton’s own creative approach to publishing, Fellows were energized to shape a future publishing industry which is more imaginative, inclusive, and open to change.    

Reflecting on “Three Times my Career Almost Ended” with Author Ken Liu

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By Issay Matsumoto, Plympton Writing Atlas Fellow

Last week, Plympton Story Atlas Fellows had the privilege to speak with award-winning author, futurist tech consultant, lawyer, and former software engineer Ken Liu.

Addressing the Fellows building Story Atlas, a catalogue database of short stories accessible to film and TV producers, Ken titled his talk, “Three Times my Career Almost Ended.” It’s a curious title for a talk given by a Hugo Award-winning writer whose work has spanned six original novels and short story collections, dozens of magazine publications, and a handful of award-winning Chinese-to-English translations.

Nevertheless, Ken insisted that his failures are more interesting than his successes.

Ken’s journey started shortly after college, when he first seriously pursued short story publication. After a slew of rejections, Ken began receiving acceptances to major publications. Following this newfound success, he wrote what he thought, at the time, was his greatest piece.

After almost two years of shopping this piece around and receiving rejection after rejection, Ken realized that he had been obsessing over the piece and hadn’t written anything new the entire time. 

His career almost failed for the first time because he had put all of his hopes and dreams into one story, and neglected to do the most important thing a writer could do: sit down and write.

“Almost every writing problem,” Ken advised the Plympton Fellows, “can be fixed by writing something new.”

So Ken did just that. As he continued his career outside of writing as a software engineer, a student at Harvard Law School, and a corporate lawyer, he found time to write during commutes and lunch breaks. 

But when his career began to take off again with major publications and national awards, he found it difficult to break free of the natural “desire to please.” This was the second time his career almost ended.

Ken advised the Fellows to interrogate the ways they have been socialized to please those assessing them, whether they are evaluating them in school or reading their work with a critical eye. Ken stressed that this tendency to please can be problematic in an industry that has been dominated by what he called the “universalist” literary approach. Writers of all backgrounds have been compelled to privilege the stories of middle-class, white, and suburban male characters that they are told are “universal.” Rather, writers from historically marginalized backgrounds must prioritize their own approaches to storytelling, speak to the readers they value, and sometimes even forgo those who will not attempt to understand them in good faith.

Ken explained that for him, storytelling is like building a house that the reader enters. Readers make themselves at home, bringing their own “baggage” and their own ways of making meaning. But, according to Ken, some readers will not understand or like living in the house that the writer constructs, and that is okay: “My house is not always for them.”

In describing the pitfalls of his career, Ken thoroughly debunked the false choices that plague this industry and promote selfishness over collaboration.

According to Ken, one of the most powerful ways writers can challenge these choices as individuals is by understanding the difference between goals and milestones. Too often, writers mistake milestones for goals. Following the insight of writer Tobias Buckell, a goal is something a writer can control: writing a certain number of words or finishing a manuscript. A milestone is something outside of a writer’s control: selling a book, or getting accepted by a magazine.

Writers who cannot understand this crucial difference are not only trapped by critics evaluating their work: lose sight of the basic task and art of writing. Worse yet, they are doomed to be consumed by the dangerous idea that storytelling rewards selfishness and egomania over collaboration.

For Ken, another powerful way to challenge the competitiveness of this industry is by focusing on community building. This realization saved Ken’s career the third time it almost ended.  Instead of enviously scrolling through Twitter, where writers often boasted their accomplishments, Ken took time away from his own writing and began to support other writers’ work. He found it incredibly rewarding to translate stories by Chinese authors for English-speaking audiences and volunteer for writers conferences.Ken found that by building solidarity among writers, sometimes across political borders, he could “make the pie bigger.”

“Why fight like rats over a few crumbs?” Ken asked the Plympton Fellows.

Moreover, supporting other writers helped him rediscover the driving force behind his own writing: making stories more accessible to a wider readership.

Ken’s time with us showed the Plympton Fellows how to make this possible and he was gracious with his advice for aspiring writers and generous in responding to questions. By focusing on collaboration and sharing career knowledge, writers can reject selfishness and insecurity and instead focus on the task of telling the stories we hope to tell.

Introducing our 2021 Winter Fellows for Writing Downtown Residency

We’re thrilled to announce the next four fellows for our Writer’s Residency in Downtown Las Vegas: Dominica Phetteplace, Jane Pek, Kit Yan, Christopher Molnar, and Alex Jennings.

Fellows will spend a month in the vibrant heart of downtown Las Vegas, engaging with and becoming a part of the city’s thriving arts scene. The fellowship is designed to give talented writers and other creatives the space, time, and freedom to work on their longform projects, and the bibliophilic joy of living in a fully furnished apartment next to Las Vegas’ literary hub, The Writer’s Block bookstore.

This year’s apartment will be in The Lucy, which also houses the Writer's Block. The Lucy is Beverly Rogers’ multi-use artist residency and complex, dedicated to fostering a creative community in Las Vegas.

Special thanks again to the Amazon Literary Partnership, the New York Public Library, and private donors for helping bring these fellowships to life.

Dominica Phetteplace - Jan 2021

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Dominica Phetteplace writes poetry and fiction. Her work has appeared in Asimov's, Zyzzyva, Clarkesworld and Lightspeed. Her honors include a Pushcart Prize, a MacDowell Fellowship, a Rona Jaffe Award and a Steinbeck Fellowship at San Jose State University.

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Jane Pek - FEB 2021

Jane Pek was born and raised in Singapore, and now lives in New York. During the day (and sometimes night) she works as a lawyer at an investment company. Her short fiction has appeared or is forthcoming in Brooklyn Review, Witness, and Conjunctions. Her debut novel The Verifiers is forthcoming from Vintage in 2022. She enjoys picking up different martial arts without being very good at any of them, reading coming-of-age novels, watching contemporary theatre, and cycling around the city in search of superlative almond croissants.

About her project: I will be revising a draft of my second novel, tentatively titled The Immersionist. The Immersionist is a literary science-fiction/wuxia quest narrative, set in a futuristic Singapore and a history-on-steroids version of medieval China, that explores class, migration and what it means to be human in an era of virtual reality, artificial intelligence, and vast economic inequality. There will be swordfighting.

Philiane Phang - March 2021

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Philiane Phang is a writer and director based in New York. She was recognized as the recipient of the Film Independent Ammon Foundation Fellowship at the Spirit Awards and awarded IFP’s Inaugural Phosphate Prize for a screenplay with a strong and complex female lead. Her short film, Gubagude Ko, starring Academy Award winner, Mahershala Ali, and developed with the support of American Film Institute’s Directing Workshop for Women is currently airing on HBO. In 2017, Conde Nast and Indigenous Media commissioned her to write and direct a proof of concept for a TV series, The Row. Her feature project, The Space Between, was chosen to participate in Sundance Screenwriters Intensive, Sundance Producing Lab, Film Independent Screenwriting Lab, Film Independent Directing Lab, Berlinale Talents and Co-Production Market, and IFP’s - No Borders Co-Production Market. Philiane graduated from Rutgers University with a Juris Doctorate.

About her project: I am adapting Robert McCammon's short story 'The Deep End' into a feature film. The story follows a grief-stricken father who descends into madness after his son's mysterious death.

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Christopher Molnar - April 2021

Chris Molnar is co-founder of the Writer's Block bookstore in Las Vegas. He is also founder and editorial director of Archway Editions, the new literary imprint of powerHouse Books, distributed by Simon & Schuster, that is publishing authors such as Ishmael Reed, Alice Notley and Paul Schrader.

He is a graduate of the Columbia University School of the Arts MFA program in fiction, editor of Unpublishable and the upcoming Archways anthologies (and organizer of their corresponding event series), and his writing has appeared in Vol. 1 Brooklyn and The Shadow, among others.

About his project: My novel, Heaven’s Oblivion, is about the notorious model and stalker Nell Theobald. Perhaps most well known for being mauled by a lion during the 1966 International Automobile Show in New York City, she subsequently used the settlement money to fly around the world following the opera singer Birgit Nilsson. Inspired in part by the obscure novel Of Lena Geyer, which features a mysterious woman in black who always sits in the front row of an opera singer's performances, Theobald went beyond obsession into theft and forgery, sneaking into Nilsson's hotel rooms to steal mementos and letterhead, writing letters to herself as Nilsson using Nilsson’s stationary and with an eerily accurate eye towards her grammatical and linguistic tics.

Alex Jennings - May 2021

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Alex Jennings is a teacher, author, and performer living in New Orleans. His writing has appeared in strangehorizons.com, podcastle, The Peauxdunque Review, Obsidian Lit, the Locus-Award-winning Luminescent Threads: Connections to Octavia Butler, as well as numerous anthologies including Stories for Chip, New Suns: Speculative Fiction by People of Color, and Spicy Slipstream Stories. His debut collection, Here I Come and Other Stories was released by Fight On! Publications in 2012. He was born in Wiesbaden (Germany) and raised in Gaborone (Botswana), Paramaribo (Surinam), and Tunis (Tunisia) as well as the United States. Find out more at alexjennings.net.

About his project: Currently at work on an SF novella, multiple short stories/poetry, and an as-yet-untitled novel project which is under contract with Orbit/Redhook.

This novel is a sort of blaxploitation Pippi Longstocking musical set in New Orleans. The next novel slated is currently called All The Scenes, and it set in an alterrnate 90s Tunisia at the American Cooperative School while war rages elsewhere in the solar system.

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Kit Yan

Kit Yan is a Yellow American New York based artist, born in Enping, China, and raised in the Kingdom of Hawaii. Kit is a Vivace Award winner for big ideas in musical theater, a 2020 Musical Theater Factory Makers Fellow, a 2020 Playwright’s Center fellow, 2020 Company One/Pao Arts Fellow, 2020 Lincoln Center Writer in residence, and former Dramatists Guild Foundation Fellow and MacDowell Fellow.

Their work has been produced by the American Repertory Theater, the Smithsonian, NAMT, Musical Theater Factory, the New York Musical Festival, Mixed Blood, and Diversionary Theater.

About their project: T(estoserone): a new musical. Interstate: a new musical.

Update: Due to Hawaii Border restrictions during the pandemic, Kit was unable to join us for March 2021, as previously scheduled.


Individual fellowships are made possible with support from the Amazon Literary Partnership, Submittable, the New York Public Library’s digital short story collection, and private donors. If your organization would like to partner with Plympton to sponsor a fellowship, please reach out to writingdowntown@plympton.com.

To find out even more, visit http://www.writingdowntown.com